Date: Thursday 21st March 2019
Time: 12:00-13:00
Room: Building 9 BG09A
Dr Corinne Jola (Abertray University)
Abstract:
A number of recent
studies showed evidence that the brain of an onlooker, who observes others’
actions, “mirrors” the movements observed. This process is automatic and
subthreshold; meaning, that an observer internally simulates the actions seen
even while remaining physically still. Moreover, it has been found that the
spectator’s neuronal response is malleable through motor as well as visual
experience, which partly explains the different emotional responses audiences
have when watching their preferred style of performance. In dance, the effects of watching others
perform as well as actively participating in dance practice are multifaceted,
entailing enhancements in cognitive, affective, and interpersonal skills. These are in addition to the motor-related
physiological improvements found in both healthy participants as well as
individuals who suffer from long-term mental and physical impairments. Based on these findings, one could argue
that our brain’s functional properties are inherently kinaesthetic, hence, we
benefit from activities that relate to our experience of the position and
movements of the body in space on many levels. In my presentation, I will
present my research findings within such a framework of kinaesthetic
cognition; i.e. how my experimental and performative research using brain
imaging, qualitative as well as behavioural methods show supporting evidence
that the functional processes involved in watching dance and dancing might in
fact underlie language processing, social interaction, and emotional
experiences.
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Corinne is a cognitive neuroscientist, lecturer and
choreographer based in the UK since 2004. She trained in Psychology and Dance
with Masters awarded in Choreography (with distinction) and in Psychology and
a PhD in Cognitive Neuroscience. Her
research topics include sensory experience, embodiment, spatial cognition,
and action observation. Overall, her
interest is in the adaptability of the sensory and motor processes in
dancers, non-dancers, as well as dance spectators through the non-verbal
communication processes that take place between audiences and performers.
Corinne’s research is published internationally in book chapters
and peer-reviewed journals. Her
artistic work has been selected for presentation at several festivals and
conferences in the UK and abroad. The
dialogue between science and dance is given a real voice through her
comprehensive interdisciplinary approach. For more information please refer
to http://tiny.cc/cjola or www.CoCoDanse.com.
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